In Grant Stevens’ computer-generated worlds, digital technology and the natural environment come together in an endless series of speculative moments, uneasy contemplation, instant gratification and perpetual fatigue. In Stevens’ The Forest, an artificially intelligent camera roams endlessly through a computer-generated forest. The duration of the work is unlimited, however, time does not seem to pass. The camera movement suggests sentience, but the motivation is unclear.
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When: 25 Jun - 5 Jul 2020,