A glorious tribute and haunting elegy to shared humanity and communities of print, Pulp III: A Short Biography of the Banished Book marks the midpoint of Shubigi Rao’s evocative 10-year project, Pulp, which explores the history of book destruction and its impact on the futures of knowledge.
Taking the form of a book, film and paper maze, this milestone exhibition created for the Singapore Pavilion explores the precarity and persistence of endangered languages, the futures of public and alternative libraries, and the cosmopolitanism of regional print communities that have blossomed and waned in historic centres of print, including Venice and Singapore. Rooted in the literary movements raised and rewritten by humankind through legendary libraries, halftruths, hearsay, and contested narratives, the presentation is a valuable lyrical manuscript that charts the breadth of human cultural endeavour.
Pulp III goes beyond the documentary to formulate new strategies of resilient thought across the globe. It represents Shubigi Rao’s long-term aim to explore the moments of convergence between readers, artists, writers, printers, academics, bibliophiles, shadow library activists, librarians and other cultural custodians, as well as various defenders and supporters of print, speech, and open access to knowledge. The resulting presentation is a powerful encapsulation of the many interconnected threads that weave together the artist’s understanding of knowledge generation, ownership, dissemination, and its ecologies that are rapidly emerging in global consciousness.
The Pavilion’s curator, Ute Meta Bauer explains:
“At the kernel of this Pavilion is the question of what a history of the banished book actually means. Shubigi Rao employs the book and the moving image as formats of communication which tend to the parts in the story that have often been deliberately obscured by those in power and by the expediencies of capital. The artistic research is deeply interested in the ‘keepers’ of culture, of histories, of herstories, of identity, wherein language becomes a home and a place of retreat to protect and yet lament that which is lost. At a time where the world is experiencing great loss – not just in terms of the human lives lost to the pandemic but also the forms and ways of life lost to the climate crisis – the exhibition at the Pavilion fosters an appreciation for what it means to persist, to productively and meaningfully live together.”
Ute Meta Bauer
Pulp III continues to connect individuals and communities across disparate regions, each navigating differing obstacles to accessing knowledge, various forms of control over media, both print and online, and issues concerning privacy, data, and access.
This year marks Singapore’s 10th participation at the Biennale Arte. It is the first time the nation has selected a solo presentation by a woman artist, and the first ever women-led artist-curator team. The official opening of the Singapore Pavilion will be on Thursday, 21 April 2022 at the Arsenale’s Sale d’Armi. The multi-disciplinary installation will be on display on the second floor of the building from 23 April to 27 November 2022.
Join this year’s Singapore Pavilion via Facebook and Instagram (@NACSingapore), and hashtags #SingaporeInVenice #BiennaleArte2022 and #TheMilkOfDreams.
More information can be found on https://www.nac.gov.sg/singapore-arts-scene/art-forms/visualarts/singapore-pavilion-at-venice-biennale
